2023–2025
(In-House)
LEAP is the only international art magazine focused on contemporary China that is published bilingually in both Chinese and English. This biannual publication explores contemporary art and broader cultural topics across the Sinosphere and beyond. Attuned to the current cultural zeitgeist, LEAP documents the present as it unfolds while engaging in careful examination and critical reflection.
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2023–2025
(In-House)
Founded in 1949, ArtReview is one of the world’s leading magazines on contemporary art. Its first non-English edition, ArtReview Chinese Edition, connects China’s vibrant art scenes with the international art world, exploring new practices and dialogues across contexts. ArtReview Chinese Edition publishes four issues per year.
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2021
(Studio)
A tribute to the late artist Cristina Monet. The book catalogs Cristina’s career highlights in music and writing, and includes words from friends, family, and colleagues. The project details Cristina’s artistic process, with images from her personal archives and journals providing a window into her relationships and home life.
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Jon Bradshaw
2021
(Studio)
A collection of magazine writer Jon Bradshaw’s essential writings, The Ocean is Closed rediscovers a memorable talent and offers a shadow reality to the established literary canon of the mid-century.
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Roni Horn
2021
(Studio)
Produced daily over a period of fourteen months, LOG (March 22, 2019–May 17, 2020) is a collection of drawings, quotations, collages, photographs, casual commentaries, notes on news and weather events, and original texts by Roni Horn. Known for conceptually oriented work in diverse media, Horn continues her exploration of identity and difference in LOG. By referencing a calendar format, the design of the book helps present the complexity of daily, lived experience and the mundane scroll of life, transforming the personal experience into an emotionally profound and unusual visual engagement.
Dazed Korea × Off-White
2020
(Studio)
“Hyukoh sings with love—no, lives with love. This was how the tie between Hyukoh and Virgil Abloh started.” The Fall 2020 edition of Dazed Korea presents a series of garments created by Off-White exclusively for Hyukoh, a South Korean indie band. The project documents the passion and process behind these clothes made during the pandemic, celebrating the union of Seoul in its Off-White hue—with love and happiness.
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Work Catalogue of/and Thesis
2020
(Personal)
A collection of research that informs the theoretical foundation of my graduate thesis, which functions as both the exhaustive record of the thesis’s process and my second attempt to capture the temporality of information after New Folder.
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2019
(Personal)
A conceptual exhibition catalogue designed for a fictional exhibition Out on the Edge: Physicality of Net Art. Celebrating Post-Internet culture, the exhibition showcases net artists who use physical objects to express the interplay between the internet and art. It underscores their significance as documentation that translates network gestures into gallery and other physical settings. Meanwhile, it also poses the questions: Does the Internet exist? What is the evidence of its existence, and how can it be captured?
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2019
(Personal)
Nesoi is a revival typeface based on the work of Dutch designer Gerard Unger. The design began as an exploration inspired by Unger’s typeface Swift; throughout development, other references were integrated as new directions emerged.
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2018
(Personal)
How Societies Remember? borrows its title from sociologist Paul Connerton’s book, in which he argues that images and recollected knowledge of the past are conveyed and sustained through ritual performances, and that performative memory is bodily. This conceptual exhibition features eight artists whose works explore the relationship between art, the body, and society. Through participatory and performance-based works, the exhibition visualizes Connerton’s theory while reflecting on political and social realities.
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2026
(Co-Found)
Suite emerged from a convergence of circumstances. A small group of art practitioners in Shanghai, having found common ground, established the space as a self-organized initiative. Suite seeks alternative modes of sharing and distribution beyond institutional frameworks and transactional logics, in order to resist repetition and complacency in exhibition-making and discussion.
[Coming Soon]
2025
(Freelance)
Just a Little is a stationery and journaling brand grounded in a quiet philosophy of living: acknowledging one’s limitations while continuing to make small, persistent efforts. Conceived as a warm and attentive practice, the brand encourages a relaxed and unforced way of recording everyday life. Through its products, Just a Little advocates for calmness, gentleness, and acceptance—believing that all forms of reality, in their incompleteness and uncertainty, deserve to be loosely held and tenderly accommodated.
[Coming Soon]
2022
(Freelance)
Established in 2018, forms is a fashion accessory brand that is proud of its graceful silhouettes, delicate structures, and attention to detail. By working cross-functionally with the Forms team, the new brand strategy amplifies the products’ merits while also paving new paths for a more inclusive, ever-changing environment of marketing and distribution. The resulting visual system celebrates the juxtaposition at play: both details and atmosphere, the explicit and the implied.
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2021
(Studio)
Dysmantyl is a digital platform that reframes the conversation around racial inequity with a data-centric approach to health and wellness.
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2020–2021
(Studio)
As one of the world’s largest insurance companies, MetLife’s brand strategy and visual identity for entering the Chinese market needed to retain the brand’s global distinctiveness while resonating with local aesthetics and standing out among the existing competitors.
[Coming Soon]
2020
(Studio)
Creative direction for Nouera, a start-up pairing premium cannabis products with engaging entertainment.
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2020
(Personal)
New Folder is a democratized, artist-activated, and audience-engaged online archive created to present and preserve the temporality of net art today. Traditionally, archives are understood as static repositories rather than mutable entities. Yet the archiving of net art calls for a new understanding of the archive as a “living” environment. By inviting users to upload artworks they consider net art, New Folder allows them to actively participate in defining what art can be.
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2019
(Personal)
Performative Translation is a project created in Berlin on the occasion of the Bauhaus centenary. Bauhaus performance has often been treated as a minor historical footnote, yet it deserves a fuller examination in the context of the twenty-first century. In this project, the choreography of Oskar Schlemmer’s Triadic Ballet—a seminal work that embodies the performative spirit of the Bauhaus—was translated into diagrams, which were then mapped across the streets of Berlin.
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